monster house track! also big with: someone else, mathias kaden, ptoile, markus schatz, frankie, karotte, alexx, audio werner, barbara preisinger, antislash, ark, nick curly, kabale & liebe !! moritz piske send us directky to the dancefloor with this monster house track! with the remix of pit draengler, this two tracker keeps alive the spirit of what makes house music groovy, jackin and funky and the samples used, keep us in mind how huge is to mix up jazz to house. the vinyl is provided with a special picture from the renounded malian photographer malick sidibÚ. he made this picture in 1962, time he was taking picture of surprise parties in bamako. a big thanks to andre magnin who gave the opportunity to associate the music with this amazing picture and artist!

gemmy hails from the hugely influential bristol bass scene. part of the purple trinity along with joker and guido, he already had a big release on the bristol-based punch drunk label and plays by the likes of pinch, joker and mary anne hobbs (radio 1) gemmys debut for planet mu is a bass heavy ride. with p-funk and grime influences, gemmy blends the dub and the step with fat portamento synth lines and computer game fx to great effect ensuring maximum dancefloor impact. supligen is a bass funk attack to the senses giving you a taste of what to expect from gemmys debut album (planet mu ziq230 due august 2009). bristolian synths and shuffle beats are sure to get the wonky heads bouncing. bt tower is another anthemic jump up wobbler with a full-on bass drop that will punish the limiters on any decent rig. watch your bass bins!

big with: richie hawtin, dubfire, dj hell, mandy, dj t, james what, ralph lawson... well what can we say, two tracks that could not be more different from well know mainz/ germany based artist butch aka bülent gürler. the a side >destruction< is a track that so perfectly fits into the scene of german minimal house, we think it will be eaten up immediately by the dj scene. the flipside track >muskatnuss< is more challenging and made for the advanced djs. this track is weird, funky, housey and more on the side of the new school of house we get nowadays from cecille and similar labels. the track makes use of samples from butchs most sought after sample libaries that include fantastic cartoon sounds he has cut up and arranged rhythmically. a stunning performance!

clone v2.0! clone back in its new form.. a series of specialized series dedicated to different functionalities, emotions and styles of electronic music. the clone loft series will be releasing more traditional house and ny influenced disco for the smaller and more intimate club settings. first of reggie dokes with probably his best release so far! a-side is a dirty but massive house track that goes down very well in any house set! at first notice this might be the main track... which most likely it is for more peak-time use... but actually our favorite is the fierce i wear the mask track on the flipside. this track has a nice jumpy beat, very light... but such a balanced rhythm that it will grab one for sure. on top it has layers of strings and a bouncy bassline and very staccato keys... and everything is so well balanced, so sensitive that it really gives us goosebumps all over! it reminds even to some derrick may tracks where he managed to make his songs emotional and fragile with the same kind of timbre and hidden energy (but then less 909 orientated and such...) it has that force, that gentle force of magic that frees that inner energy, that inner power that makes you wanna dance. what a stunning track and what a strong release by mr dokes. essential!

wack label owner, s.m.o.v utilizes certain parts of a some what classic indie tune from the 1980s and has crafted it with r&b singer, d angelo, together with some super heavy jazzy boss nova drumming to create another wack classic cut. basement freaks - the greeks are generally known for growing olives and smashing plates, but basement freaks are smashing dancefloors instead as they step straight outa greece with this explosive latin break beat bomb!

abusing our soft side for dub edgar 9000 gave us these compelling tracks.>play me minus three (patience vs. epiphany mix)< û what starts like a nicely arranged minimal tune bubbles and billows after a short pause up to a big ride on the acid-dub-ghost-train. at the latest when the decently deployed and gated french horn pad sets in on the second half you are completely lost. not for quick peep û but beware: danger of addiction of endless playing is definitely given.meanwhile the title >hook & bait< of the b-side rather reads like the basic principle of fishing. it really sounds like the classic principle of ambient à well almost, since in this case this ambient track is drifting along itself, underlined with a straight driving and floating rhythm fed by an earthly bassline.petri heil! (as we say in krauts-country)

this is the tune for getting spiced on the dancefloor! no more boring klicks and klacks, time for energy again, that s what alex must have felt when treating his gear in the studio while processing these two outstanding tracks. really remarkable techno again from alex bau, just as we are used to it and know from him for quite some time now. the tracks appear in a moderate design of sounds, avoiding to harsh and hard action, but the fierce leadsoud of wasabi tune vol 1 will surely make everybody moving, just as the usual suspects playing it already: stephan bodzin, liebing, technasia, perc, gary beck, florian meindl, mihalis safras, mr. beyer and many more. very very big tune! must have for this summer!

detroit chords and big analogue synths make this a peak time techno floor filler, with massive dj support from the likes of laurent garnier. this is leeds based duncan hatterman aka hairy hat man s debut single and what a debut it is! the original track >miyagis magic< (named after mr miyagi from the karate kid films) is a flat 4/4 journey into the land of big moog synth riffs that light up this tune. j alexanders remix strips some of the moog layers away and turns in a more minimal builder added a shuffling beat and hypnotic bass-line. a future detroit techno classic comes our way on the a side with the berlin duo that is tagträumer together with the co-production help of ronald christoph, big analogue synths take on the original tune while the pace is somewhat quicker than the other two mixes, turning miyagis magic into a peak-time techno floor filler!

mufo has garnered attention a few years ago with his c.l.a.u.d.i.a. 12-inch for kompakts k2 imprint, and sounds set to do so again with colors. anything but monochromatic, >one color< opens with stripped-down, tech-house swing before adding shuffling pulses and melodic accents that are both jittery and robotic. working itself up to a skittish, metronomic broil, the track exudes an android relentlessness that?s offset by repeated change-ups. on the b-side, di francesco brings the funk on >two colors<, six minutes of swizzling electro-techno whose palette is anything but muted. the tune squawks and sputters like some incessantly sneezing synthesizer apparatus in what could pass for a fractured 23rd-century techno take on zydeco. with this release in hands, its again proven without a doubt, that persistencebit continues the global hunt for quality. supported by: robert leiner (www.leinermedia.net): >good use of the korg wavestation on both< andrew duke (andrew duke in the mix radio brodcast since 1987): >excellent my favourite track is one color< ryaz khan (ww.chry.fm / myspace.com/diversionsradioshow): >solid release i love both cuts<xpansul (minus,plus 8 records): >two colors is great. thanks.<

nice girl shirt - hot logo, what do you want else? (100% cotton)

experimental electro-downbeat from austria, made in 2001. contains a 12 inch and a 7 inch record.

after being influenced by mix-tapes of artists such as richie hawtin, dustin began writing music purely for fun. shortly after, dustin met future-partner ian lehman, who was established in the mid-west rave scene. ian explained to him that music similar to his was played at parties called raves. ian invited him to one of his shows and dustin took his offer to see what he was talking about. after being exposed to just one party, dustin knew this was his future. dustin started doing a live pa at various local parties and quickly became a favorite. after a year, dustin stepped up to the decks and won just as much respect as he did with his productions. in early 2001, dustin and ian both agreed to take things to the next level. they put a halt on bookings and concentrated on the studio. a year later their work had emerged onto vinyl and all over the internet, creating a serious buzz. abiotic was born, and the duo formed the attack people. a few words can easily describe dustin zahnÆs style: moody, tribal, dark, and hypnotic. since dustin co-founded abiotic recordings with ian lehman in 2001, heÆs finished projects for labels such as livewire records (detroit), analytic trail (italy) and invasion (belgium). his tracks have been received support from techno producers such as redhead, adam beyer, danilo vigorito, tim xavier, ben sims, chris liebing, dave clarke, umek

brawther is a young frenchman from paris. this deephouse producer found his roots in the 90s house music vibe from new jersey, chicago, detroit, england and france. may it be true garage or deep house, the groove, spirit and energy of this period has touched him deep inside and he is now a fierce defender of what he calls true school house music as opposed to oldschool or new school: i hate when people say that this sounds old school and that style sounds old or whatever... for me, a vibe is timeless... in summer 2007, brawther releases his first e.p. under the name izmo as a 12inch on french label 9ts records, and response was great, supported and played by legendary tony humphries... disguised as a tribute to smack productions, his where is eddie e.p. touched people from all different scenes, from deep house to uk garage?

rotterdam records is proud to present the 12th release on the rotterdam classics series, this time the rotterdam records crew presents happy hardcore edition - volume 1! in total 3 classic (happy) hardcore tracks, which are still in popular demand, are offered on this 12inch... on the a side the classic forze dj team remix of dj pauls hitsingle life is like a dance, the flip side continues with dj weirdo & dr. phil omanskis young birds (originally released on bzrk black) and to complete the party the infamous stunned guys remix of dj pauls luv u more is presented to you. so in total 3 rare hardcore tracks/mixes on one piece of vinyl, what more can you wish for, a true must have for all hardcore lovers worldwide!

support by: adam beyer, speedy j, emerson, brian sanhaji, joel mull, perc, steve rachmad, the advent, paco osuna.... true type tracks starts here with two artists that have created a very distinctive sound both together and solo, and represent a way of understanding techno music in which we firmly believe. our dynamic duo meets again to continue what they started on the ad ltd imprint. two tracks that define their own sounds and as the two artists behind them fit so well together they have to be in the same plastic. as a is for alexi, time out fills this side with powerful, dirty, jackin driving techno. alexi delivers a track were the classic flavour of techno is completely infected by his characteristic twisted futuristic sequences. the track grows full of tension and it s a sure killer. it s funk, it s dark, it s strong. on side b, xpansul signs a playful techno track full of swing and funk, hip techno a la xpansul. jackin beats and dubby bass support several freaking melodies that build this trip to dancefloor madness. we love techno!

nice price deal !!! dutch duo pacific & van dyck teams up with the talented anna montgomery and deliver something very nice. the original has been doing the rounds for a while now gaining a constant buzz.alex romano adds his magic and sets the original on fire. it is all about that infective baseline. alex romano is known for delivering solid tunes, but what we are hearing here is ridiculous!

juan sanchez, the amsterdam based producer with spanish background, makes his wolfskuil debut with an impressive 2 track single. the freakshow ep is an examplary showcase of what juan is capable of. two peaktime tracks, but both with different angles. the title track delivers exactly what you expect from a song with that particular title. freaky, out of control basslines and over the top rhythmic exersises, with loads of subtle hints, clever programming and detailed edits form the freaked out basis for juans vocals. no 4 bars are the same, but the track is coherent from beginning untill the end. prepare to rip up floors with this one!23 positions shows a different side of juan. its carrying his trademark production style, but 23 positions takes a more melodic approach. beautifully arranged strings sweep in and out througout the track, accompanied by a non stop rolling groove. again there is a remarkable eye for detail, clever programming and spot on sound engineering, wich makes this tune explode from any pa.

rothers latest release is like a point a to z on his impressive body of work and gigolo is extremely happy to present this to the congregation! the melting of electro with other genres is what makes the electronic scene and its music more interesting than ever before...

chris carrier delivers 4 pumping housetracks - shake what you got like back in the days!

selected advent deal. - this debut release on new imprint numbercult is sure to make waves, pulling no punches with this weighty production. the series hits off with a anonymous artist (which most likely is not making his debut here, judging on the production skills). the a side kicks off landlines, 11 minutes of driving deepness, an overdriven stabbing subbass and solid percussion give the track monstrous bottom end with the hypnotic lead line almost vanishing in the vastness. this could be descriped as a kind of mid 90s techno... the rawer side of basic channel or fcom. an absolute sexy monster track that keeps pushing forward and remains its funky almost dubby drive. strong! from the b side clonic is a driving mills esque x 103 ish assault, layering discordant acid lines to produce an intense and relentless track, broken only once with soaring beautiful strings. a side is essential! the b side only for the headstrong. a great start for this new label from glasgow releasing limited releases of high calibre deep techno from a dynamic collective of producers. a label grounded on the basics of techno with an open mind to the future. and what a great start. check!!!

excelent dj tools, played by 2000 and one, chaptal and many more,,, after the massive success of the remake volume 2 & played in rotation everywhere in the world, remake musique back with solid release…. what you need is ever played & supported by 2000 & one, chaptal & others….done by artists ever seen on bang bang, freak n chic, get physical & more… its sure…youi will listen it in ibiza & maybe one track of this summer…. >i got under my skin< done by german artist with nina simone sample..for sublime deepness time ! sure another high quality release

fenou #8 - dapayk & padberg on fenou - yes! following up their brilliant >black beauty album< on fenous parent label mos ferry in 2007 and the two album remix records last year this is something new, and different. ok, the duo already had a fenou-like moment with the remix of island (feat. caro) by noze. but this a-side >sugar< shows exactly what the genre description cute minimal electronica actually means. its somewhere between clubby, but distinctive electronica beats, a vocal taht reveals a definite pop-appeal and some lounge-like tunes. the b-side >soir< by dredl kibosh is quite different from that. its a deep and relaxing track developing very slowly to leave a feeling of zero gravity in the end. thereby its not as complex as ezekiel honigs seaside pastures pt.1 on fenou06, but continues the laid-back side of fenou in a perfect way. consequently, the fenou no.8 is presented as a limited edition of 10 records

jeff samuel is back with what we think is his best production for years and with one of the coolest tracks he has done so far. big with gregor tresher, brett johnson, john digweed, hot chip, matt john and many more..

jetzt hats mal wieder ein wenig gedauert dafür freuen wir uns umso mehr endlich den erstling des analog roland orchestra auf pastamusik präsentieren zu dürfen. und los geht es gleich mit >jacks highway< einem bewusst gezügelten , hoch energetischen und dabei in sich ruhenden minimal house-track - eben einem klassischen opener. die vokalbegleitung vermittelt ein gefühl von bewegung, der Überwindung von grenzen egal ob im club oder auf dem weg, wo immer der auch hinführt. give the zombies what they want da stellt man sich unwillkürlich die frage: >was wollen die eigentlich wirklich< (vom verzehr ihrer lebenden artgenossen mal abgesehen)? wie wärs zur abwechslung mal mit ein bisschen unterhaltung und wir liefern dazu gleich mal den soundtrack. geradlinig und mit ein paar schöne acid-schleifen verziert kann man bei der nummer bestimmt alles mögliche sitzen bleiben gehört ganz sicher nicht dazu.>diverse< name = programm, roland nicht name des künstlers. dem exemplarischen abarbeiten an seinem 303/606/909 (und wie sie alle heißen) analog-elektro-tierchen habe wir sehr gerne noch ein kleines plätzchen auf der b-seite eingerichtet. was sonst bei einer so schönen nummer...

hammered by mihalis safras in all major festivals in 2009 ! excellent amir (great stuff) bootleg !!!! everyone asked what was it.. now u know!

insert coin records labels first release is born! this new imprint is a tribute to the best classic arcade games, the tracks will be named after the best video games ever! defaced is a talented and exquisite artist, showing what he is made of within this monster ep featuring two pumping tech house bombs. double dragon is dark and sexy, the bass line simply amazing. while ?out run is groovy tech to the top. these tracks are perfect peak time weapons.

neville was resident dj at the legendary checkpoint charlie for many years, is one of the midnight steppers and has recently released some amazing house music with new producer kink to great acclaim. this is him all on his own. its a slab of bad-boy chicago house. a 707 drum machine, a bouncing bassline, pitched down vocals and a serious case of the jack. what more do you need? move quickly cos this one will fly out sharpish and be smashing dancefloors to bits all summer.

nice price deal !!! 3lp album (long versions!) with collaborations from the likes of soulwax, jesper dahlback, gonzales, jori hulkonnen, jake shears and james murphy, its a riot. these are the times, and these are the rhymes !æi feel i have become exactly what leonard cohen would be if he owned a jetski with a detachable sidecar æ

highly addictive grooves and elements of house, techno, jazz, downtempo and even breakbeat melt together and thus you can never expect a certain category of sound û but theres an important ingredient for all of his works: emotion! from early beginnings until the present the musical ideas from terry lee brown junior had great impact on what we now call >tech-house<. as a pioneer and central player of the tech-house scene he succeeded in getting and remaining one of the most requested producers and djs worldwide. especially in the u.s.a. and great britain he established himself as archetype for nearly every following production or name in this division.

john talabot is a youngster from barcelona with a rather special way of approaching music. borrowing his schools name for his alias and the most diverse samples for his music, he produces expansive and iconoclastic housey tracks. his influences range from flamenco to northern soul, from african music to traditional asian songs and he s inspiration sources go from the profound and sensual house of moodyman and labels such as sound signature or kdj to disco music, chicago house, pop or techno, whatever he likes. sounds like a bass kick and a sampler, he says us in his myspace, no less. this young producer and tireless musical tracker has the ability not just to find the appropriate samples but also to conjugate them wisely. in a great exercise of sonic inventiveness, guitars, strings and keyboards are combined in his tracks with rhythms and vocals with african reminiscences, to give us his own vision of house music, original and personal, but yet very effective. cliche allergic, songs like naomi, korlee or afrika sound cosmic and tremendously emotional without losing sight of the dance floor (thats what we call fat beats). his tracks are organic, human, full of life, the kind of music that keeps not only your foot moving but also your heart tingling.

played & supported by move d, anja schneider, brendon möller, len faki, craig richards, rolando (jaguar)... including planetary remix (aka dan curtin) beautiful! james kuno (ann aimee - delsin) delivery a new deep space techno sounds

evil hard techno 4 tracker with dark fork / 2m jr. / rob stalker

here comes the second part of afu artists remixing afu artists- and what a great package again this is my friends! kiko has taken popof s big track stereos and such, stirred, mixed and shaken it into this formidable floor killer named kiko s chicks in ze bunker remix! it pushes the level of power many segments up and leaves no questions! our man from paris electric rescue remixed our man from moscow andrey zots and his great track i am. this is techno at it s best and is pumping the hell out of everything ! one of the best work that electric rescue has done to date! and last but definitely not least butch s mega bomb mushroom man get s a mellow down treatment by andrey zots ! it s a very nice electrohouse track with a fascinating and bone shaking groove. we support and love vinyl :)

supported by dubfire, kombinat100, dan curtin, shinedoe, ed 2000, benno blome, dubnitzky and many more... slowly but constantly days are getting longer again and clothes become shorter and shorter. green is sprouting on the acres around and acker records delivers the perfect soundtrack for the euphoric hormone cocktail of the first warm days in spring: endlich frühling means nothing else but finally spring and that is exactly what its all about: the title song comes with plenty of cosy but pushing boost in its lower sections , above that some driving percussion and dreamy , playful melodies unfold. subtle string entries underline the very positive flow of this track. on the flipside rundfunk 3000 take up the idea of the original and add a proper pinch of melodica sounds. the result presents much more song character and is perfectly appropriate for late afternoon dance floors as well as a stimulating breakfast on the balcony. finally the track rabulka features a pretty different style: very driving bass sounds, various rhythmic elements and dubby melodies evolve an astonishing deepness. this is for the spring time!

supported by dubfire, kombinat100, dan curtin, shinedoe, ed 2000, benno blome, dubnitzky and many more... slowly but constantly days are getting longer again and clothes become shorter and shorter. green is sprouting on the acres around and acker records delivers the perfect soundtrack for the euphoric hormone cocktail of the first warm days in spring: endlich frühling means nothing else but finally spring and that is exactly what its all about: the title song comes with plenty of cosy but pushing boost in its lower sections , above that some driving percussion and dreamy , playful melodies unfold. subtle string entries underline the very positive flow of this track. on the flipside rundfunk 3000 take up the idea of the original and add a proper pinch of melodica sounds. the result presents much more song character and is perfectly appropriate for late afternoon dance floors as well as a stimulating breakfast on the balcony. finally the track rabulka features a pretty different style: very driving bass sounds, various rhythmic elements and dubby melodies evolve an astonishing deepness. this is for the spring time!

although jaxson and keno both have successful solo projects and have previously worked together before, this collaboration is bound to be their most notable release yet. a fusion of house, funk, latin and techno, all meet at the crossroads of their studios for a 4 track ep of sundry beats and fresh flavors. clearly the a-side, >tout le temps< is comprised of a clever hook and a hazy latino vocal sample, which carries the initial groove right into an originally played synth section. a good example of a refreshing approach to adding effects and using sounds. >tarantella< as the title might suggest, one might expect a track that would scare the living day lights out of you, but it has more of a >creeping up from behind you< sort of vibe. a subtlety creeping groove subliminally enters your unconscious mind carrying a secret message. what is that message you ask? dance! the congas on, >red baron< sound so live you can almost here the players licking their fingers. congas might be the groove in the heart of this tune, but the melody of the slick synth stabs and rising strings are what ultimately breath energy and spunk into this roller. >karate kid< initially has a minimal feel, but once the hacked up guitar and vocals come in, you can put those dirty thoughts to rest. abundant with an overwhelming amount of unique and interesting sounds, secure this tunes ability to prick up the ears of finicky djs and clubbers alike. it is rare to find such a wide variation of sound design on your run of the mill ep, but kindisch has proved they are not an ordinary label. they are consistently releasing quality tunes and always providing pleasant surprises. some might say it is a clichÚ, but this ep really does have a bit of something that will drive one club or another nuts

solid proper banging techno, end your search. this is what you are waiting for all this time. crowdpleasing techno for all who like it rough and slightly dark but still with enough energy to keep you up and dancing all night. no drugs needed, just move on the music and go on and on and on and on...

two brand new tracks from style of eye linus eklow who is fast proving that sweden can do jaw wobbling techno just as well as it does cutting edge house. lead track colores is a neo/tech-trance builder, peppered with colourful synths, plinks and bleeps and benefiting from what is fast becoming trademark style of eye production. on the flip he serves up psalm, a dark, demented foray into the lower realms of techno, crackling with a celestial feel.

a1: decimals concoction is chunky with a thick creamy broth. spaced out spiced sonic crumbles interact with your waistline. basslines? plenty, without the pork. bring a spork. a2: ominous tones shape a rocky mountain of inferred understanding. what did she say? 303 like analog waveforms try and decipher the words like musical hieroglyphs. b1: the voice of darkness speaks to mortals. bells ring and merge with the ether. madness ensues. a fog descends on humanity., b2: showcasing nonstop high kicks, david lee goth is the star attraction of satan s rollerdisco! like an unrelenting metronome, the drums disguise his disfigured soul. jpls strips it down and paints it black

deep underground chicago staple of music played by the chosen few to the ones who truly know how deep it is. now its time for the masses to feel the real deepness of the true chicago 80s era of music. only ten percent of what happened here in the 80s, is known to the rest of the world. dont you want to be a member?

dutch top producer triax (well known for his slammin releases on underground house movement) proudly presents his new release on the mighty hard kryptik imprint! two superb tunes are offered, and they receive wicked remixes by nuclear device (traxtorm records) and forsaken is dead (six feet underground) too! so what more can a hardcore head wish for??

on side a: markus homm, mihai popoviciu and jay bliss. three sophisticated artists with releases on highgrade, imigrant and foundation records. this magical trio created this funky, deep house track for us, which brims over with groove and energy. on side b we are ver happy to welcome a newcomer, who is going to be listened to a lot soon. felx feygin grew up in brooklyn new york, and still lives there. about himself he says: äone day i fell in love with jazz, then we got married and had little deep house babies.ô when you listen to this track, you will know what he means! and if that was not already enough, there is a fantastic ôdop -remix. they are responsile for the fresh sound made in france, and brought us a lot of joy with there releases on circus company. and because this trio is something special, the boy sang some lines of the text for this remix themselfes. the outcome is genuine and we are very happy

4 track teaser taken from the album dont feed da animals!!

a must have 4 tracker with hard to find classic tracks

madhouse main man richie gee shows you what he wants for his label. hard techno for the masses. wicked beats, hardcore like sounds and incredible bass!! extremely loud and devastating industrial techno..

2009 witnesses the birth of a new label, a revolution of techno music interpreted by a soul contributor in the industry: wehbba. every couple of months, this label will witness collaboration productions teamed by wehbba and friends. 82 recordings will be the foundation for a new definition for techno and the ability to represent it in all shapes and aspects and make it universal. 82 recordings begins its series with wehbba s first original production on the label titled cava, this piece infused with acid vocals, extremely fat bass, and abandons of percussion glitches and tricks. modulation abuse is what stamps this track redefining technos ability to take any shape and form. a must have peaktimer! accompanying the original is marko nastic and markantonios excelling remixes. nastics monstrous bass remix intrudes a punchy beakdown

after shock from the pain state of emergency returns with a new hardcore stomper! on this 3 tracker everybody gets served! call it music on the a side is a party tune with phatt kicks, a cool melody, catchy raps and a huge break! on the flip we find the darker and more uptempo track vanity. this one is for the ones who like it a bit darker. a simple but effective melody combined with a pounding kickdrum will do the trick for sure! last but certainly not least we take it a bit further with a stunning broken rules remix of game time. the man from l.a. delivers a rough stompin remix only he can do. hardcore with a techno twist is what he serves us! so this raw fuel release covers it all!

one of our best selling labels, who have really carved out a niche for sublime, chilled but chunky grooves a side is dropout –seeing coyote stepping onto the dancefloor whilst still keeping all the elements of their sound. electric guitars, arpeggios, and a catchy little melody. tranced out, chugging and laidback in equal measures. the remix of dropout by deadstock 33s-the balearic godfather himself-justin robertson takes the track into chunky electro dub bounce territory. the flip sides >how you doin< is a laid back slice of dubby balearica with a remix from the international peoples gang who offer up a supreb remake, reminiscent of weatheralls early 90s output coyote and is it balearic doing exactly what it says on the label !is it balearic…?-oh yeah

after his amazing remix of leo anibaldis smashing hit (attack random) produced on cannibald first release. pierguidi is ready to be out whit his solo ep , and demostrate what he can do by himself , and the result is cannibalds third release whit three massive techno tracks whitout any compromised.